In this innovative work, Ming Dong Gu examines Chinese literature and traditional Chinese criticism to construct a distinctly Chinese theory of fiction and places it within the context of international fiction theory. He argues that because Chinese fiction, or xiaoshuo, was produced in a tradition very different from that of the West, it has formed a system of fiction theory th...(展开全部)

【作者简介】 顾明栋，字泽木，号三无学丐，芝加哥大学博士，上海交通大学文学院访问讲席教授，美国德克萨斯大学达拉斯分校比较文学教授 。著有英文专著四部：Fusion of Critical Horizons in Chinese and Western Language, Poetics, Aesthetics（Palgrave Macmillan, 2021），Sinologism: An Alternative to Orientalism and Postcolonialism（Routledge, 2013；商务印书馆中文版，2015年），Chinese Theories of Reading and Writing：A Route of Hermeneutics and Open Poetics (SUNY Press, 2005；商务印书馆...(展开全部)

鲁迅《中国小说史略》英译本，译者杨宪益Yang Hsien-Yi 、戴乃迭 Gladys Yang，外文出版社1976年第三版（1959年第一版，1964年第二版）。

A History of Modern Chinese Fiction was first published in 1961 and is a classic in the study of twentieth-century Chinese fiction. It traces the development of the form from the Literary Revolution in 1917 to the early 1960s. C. T. Hsia delved into the works of Lu Hsün, Pa Chin, Lao Shê, Eileen Chang and Ch'ien Chung-shu, all of whom were important modern Chinese writers. In H...(展开全部)

鲁迅《中国小说史略》英译本，译者杨宪益Yang Hsien-Yi 、戴乃迭 Gladys Yang，外文出版社1976年第三版（1959年第一版，1964年第二版）。

A History of Modern Chinese Fiction was first published in 1961 and is a classic in the study of twentieth-century Chinese fiction. It traces the development of the form from the Literary Revolution in 1917 to the early 1960s. C. T. Hsia delved into the works of Lu Hsün, Pa Chin, Lao Shê, Eileen Chang and Ch'ien Chung-shu, all of whom were important modern Chinese writers. In H...(展开全部)

刘若愚（James Liu，1926-1986），生前为美国斯坦福大学教授，主要研究中国古典诗歌、诗论和文论，以及中西比较文学、比较诗学。他还著有《中国诗艺》、《中国之游侠》、《李商隐的诗》、《北宋主要诗人》、《中国文学艺术基础》、《跨语种批评家》、《悖论—语言—诗学》。

This is the second major revision of a book universally acclaimed as the definitive history of the documentary film. The final section has been completely rewritten and expanded to take into account the major films and trends of the past nine years. Particular attention has been paid to the growth of documentary film-making in the Soviet Union since Glasnost and the correspondi...(展开全部)

In Good Entertainment, Byung-Chul Han examines the notion of entertainment—its contemporary ubiquity, and its philosophical genealogy. Entertainment today, in all its totalizing variety, has an apparently infinite capacity for incorporation: infotainment, edutainment, servotainment, confrontainment. Entertainment is held up as a new paradigm, even a new credo for being—and yet,...(展开全部)

Iris Chang made headlines in 1997 with the publication of The Rape of Nanking-a meticulously researched and brilliantly rendered examination of the sacking of that great city by the Japanese during World War II. Many readers of The Rape of Nanking responded to its themes of the fight for justice and the assertion of cultural identity-themes Chang expands upon in her new book. C...(展开全部)